Felix Holst’s 912 is not like other art cars. Totally self-funded and produced out of sheer curiosity, it takes guts to embark on a project like this without the backing of a generous sponsor or any kind of safety net in case things don’t go as planned.
Felix’s art style is colourful, vibrant, and heavily charged with a sense of motion and noise. Most of it however is confined to paint on a canvas, which is a comparatively low-stakes medium to work on. A 1969 Porsche 912 takes a little more care, which is why Felix decided to suspend it from a rope under a telehandler before getting started.
“I use a lot of graffiti methodologies in my paintings, drips and thick coats and so on. I wanted the car to reflect that but I knew that if I just used the same techniques, then the artwork would just look like it’s dripping off the body. All the dynamic and excitement would be lost. One night I realised that the only way to do it would be to hang the car from its nose, so the paint would run along the length of the body and you’d get this effect of appearing in motion while standing still.
I was only thinking about it until one day the Overcrest Productions guys asked me if I had any ideas for a centrepiece at their upcoming Monterey Car Week event. So I said ‘oh I’ve got this idea about hanging a Porsche…’ and before I’d even gotten the words out of my mouth I realised that I’d committed to it.
I just knew it had to be a complete running and driving car, not just a salvaged body shell. The whole thing took just under a year and it’s still not really finished.”
Drip Dried
Author: ALFIE MUNKENBECK
Photographer: Jonathan Harper
Felix Holst tells us about how he executed one of the most unique art cars we’ve seen in a long time.
“I had this vision in my head of like a shark hanging off the edge of a fishing boat. This very slippery, aerodynamic form hanging vertically. That was the genesis of the idea, and at that point I had to figure out how to do it.”