Type 7

Bad Boys Revival

Bad Boys Revival

Marlon Goldberg shows us just how far you can go for a bit of mid-90s nostalgia

“This is barely scratching the surface on this car and the 7 years of insanity that went into it. This one is visually understated, even for us. A lot of work to make it look like we did nothing at all!”

There are many restomods out there in Porsche circles, cars that look standard enough to the casual observer, though they’re anything but to those in the know. There are varying degrees of subtlety you can approach them with, and then there’s this from Workshop5001. Even to the well trained eye, “Number 8” simply looks like a very well restored Porsche 964 Turbo S, built some time in the early 1990s and still mostly in standard form. Speaking to founder Marlon Goldberg about the project, we’re reliably informed that it’s anything but.

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“We restore a lot of Porsches to varying levels of complexity, but I usually estimate 18-24 months for a full restoration. The last 964 build we did took just 14 months. For this one, I bought the donor car on July 16th 2017, so it took almost 7 years.”

There are many reasons the project took as long as it did, not least of which was the pandemic, but the specialty parts list was probably the key contributor. Everywhere you look there’s a component that you won’t have seen on a 911 before, probably because it was developed for the first time on this car.

Starting in the engine bay, the top of the engine is capped with an incredible aluminium intake manifold, encasing two Honeywell intercoolers that receive air from the turbos below. The whole unit was 3D printed and looks as though it could be displayed in a museum. Also 3D printed were the exhaust manifolds, this time in inconel. According to Marlon, specialty manufacturing like that is usually reserved for the aerospace and defence industries. Finding suppliers who can make time for a one-off Porsche isn’t impossible, but it was never going to happen overnight.

“Most of the time it wasn’t even like assembling a normal 911, where you can reference other cars. We were making parts from scratch and reconfiguring whole subsystems, operating completely outside the box. There’s a saying ‘it takes a village’ and that certainly applies to these builds.”

There’s no quick work-around or serialised process to building world class custom cars these days, the standard is just too high to be forgiving of any shortcuts. Goldberg is among the few who understand this first hand, though he’s perhaps unique in the level of restraint he exercises in the exterior design of his cars. For this 964 build, he went with a very specific look, one that might be familiar to fans of over-the-top mid 90s action films.

“I have to laugh when I admit this because it exposes the inner nerd in me and my client. Our common goal for the build was for it to look like the car from Bad Boys. We both loved the 3.6 Turbo from the movie, in many ways the car made it a cult classic. This one started life as a 1992 3.3 Turbo, but the roof, fenders and quarter panels are now all carbon and exact replicas of the original Turbo S shape. The hood is factory RS aluminium and the interior is all black to be subtle but it’s done similarly to a 964RS. Everything is wrapped in Spinneybeck leather, even the edge trim on the carpets.”

Aesthetically, the car went from a Turbo to a Turbo S, which essentially means it gained a pair of air intakes just ahead of the rear wheels. Doesn’t seem like much, considering all the work that went into it, so why not go further? For Marlon, it seems to be a matter of principle.

“For most of my career I worked at a Porsche dealer, first as a mechanic and then on the sales side when I moved to LA. I have a huge amount of respect for the cars they built and I often feel that certain cars should be kept original and not used as a platform to modify. We tend to use donor cars that have had a hard life that we can save from uncertain futures or even bring back from the dead. We don’t do backdating or costume bodywork in my shop, I want to restore these cars in keeping with their original design, while integrating motorsport parts as desired by the client.”

There’s more to what makes Workshop5001’s “Number 8” build so comprehensive. The chassis for instance sits on a custom setup by KW Suspension, who also supply all the springs and dampers for the 718 GT4RS Clubsport program. According to Marlon, it’s a setup capable of “soaking up pot holes at high speed like a trophy truck”. The car also received a comprehensive new wiring system and a rebuilt transmission, but the engine is still at the heart of what makes this car special.

Marlon himself still builds the engines for all these cars and with this one, things get steadily more exotic as you move towards the extremities. The bottom end is Mahle’s basic motorsport kit, mated to a set of 3.4 litre barrels that increase the cylinder capacity by 100cc. The connecting rods are totally custom, as are the cylinder heads which are fitted with twin plugs and bespoke camshafts.

"There’s a saying ‘it takes a village’ and that certainly applies to these builds."

From there, the real party trick is in the throttle bodies, which were developed with Kinsler specifically for this car. They’re controlled with an integrated e-throttle system, allowing for a lot more adjustment than the standard cable system and it’s one of the biggest contributors to the engine’s improved response and sense of feel. Kinsler have since begun reproducing the system for other builds, but the prototype was made for this car.

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"Our common goal for the build was for it to look like the car from Bad Boys."

On an engine dyno, Marlon says they managed to get a figure of 550bhp with 516lbs/ft of torque, plenty enough for a car that weighs just 2730lbs (1238kg) wet. It is essentially a modern race car, wrapped in the skin of a 30+ year old road car. “Sleeper” doesn’t seem quite the right word for this wolf in wolf’s clothing, a standard 964 Turbo S is after all, hardly something to turn your nose up at. Even so, you’d be surprised just how much more there could be than meets the eye.

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